A Glut Of Cravats
A tiny party of you might have been looking over my blog and website for the past few months a little worriedly, wondering where I’ve got to. Of course, things are happening, behind the sub-domains. There’s a sort of rumbling, huffing squawk that you’ll sometimes hear, and occasional gouts of hot breath that you can see rising into the air More than anything, you might have seen a certain aesthetic emerging. White on white, with little dashes of red. The pattern of snow, on every stylesheet, forming a sort of Arctic hoarding while I get on behind the skeines, carving this website into some sort of order.
I don’t even like snow very much. It’s a folksy sort of acid, charming the feet off your ankles, making pressings of all your nerves, and causes great, cheery delays on the trains running into London, which struggle at the best of times with the maelstrom of slight damp, fallen foliage and teenagers pushing each other off the platforms.
However, I’ve chosen it as my new digital camouflage because it has a nice obliteration to it. It’s the colour of the internet, anyway, and I thought that, rather than get all clever with my hex codes and background images, that I would just choose something for my blog that represented the medium in which I’m choosing to write. The web, hungry for anything, ready to obliterate at the slightest mistake in one’s syntax. It’s a lot like snow, isn’t it? So inviting, but so horribly judgemental.
It’s appropriate, also, for my next piece of art, the funding for which I have just found out, this week, is migrating over to me for the winter. For the past five months, as well as fannying with HTML and doing some sort of job in the daytime, I’ve been making applications. Overusing words such as ‘institution’, ‘pedagogic’, ‘democracy’ and ‘Philip’, drawing up Gannt charts, paring down to word limits (you must know how that hurts me). I was hunting for money, for support, for funding, but all of this pairing and peeling and stitching of words and chart-making put me in mind of preparing for a sea voyage. Admittedly, I’ve never taken a sea voyage, not outside a ferry, and I suspect that I’d find it horrible, but I’m still enough of a quivering, genteel mast of glycerine to enjoy the metaphor.
And, it appears, that my funding application was watertight. We have our money. Our voyage is going ahead.
For the next five months I will be Writer-In-Residence at the British Library. Despite my lack of experience or sea legs, and my obvious weakness to scurvy, I will, after all, be the official artist to a sort of naval expedition, one that tacks back into the past, looking for long-lost sailors. In the Folio gallery, a meandering knock-hole underneath the escalators in the Library’s foyer, an exhibition is being put together. It will contain the Library’s collection of documents, personal effects and paraphernalia relating to the lost Arctic expedition of John Franklin in 1845. Franklin was one of those longitudinally impossible men of 150 years ago who managed to be both Governor of Tasmania and a north polar explorer in his lifetime, though the latter was only by dint of all the other candidates being either too chilly-willy, too married or too Irish by half.
With two ships, the Erebus and the Terror (arrogant, tiny little ships, named for primordial horrors) Franklin set off with his crew and the blessings of the Admiralty to find the Northwest Passage, the mythic, ice-free trading route over Canada and down into the Pacific.
I don’t like to link to Wikipedia and be done with it, but in Franklin’s case it’s the only sensible thing to do.
Franklin was a much braver man than I am, but I do see parallels in our work. As an attaché to this exhibit, producing original artwork and writings relating to the Franklin voyage, and the subsequent attempts to find his vanished crew, I feel as scared as if I was about to take to the ocean. Throughout my applications for this position, I have been getting tongue-tied between the words ‘exhibition’ and ‘expedition’, and the gap between them has certainly shortened. Looking at the body of work in front of me, the amount of time and research that has gone into the Lines In The Ice exhibit, as it will be called, perhaps the practices are not so different, after all. As I sail through the Library’s archives, seeking the stories of Franklin’s adventures, the odds he and his crew faced, and how a great trooping line of subsequent explorers, down the years, have uncovered the sad tale of what happened to those several hundred men, their elderly commander, and their two malaprop vessels, I feel more and more like an icebreaker myself. My research will uncover documents forgotten for many years, and as my crew I will have the resident curators, bookbinders, scholars and excellent cooks that make up the Library’s staff. With them, I will discover terrific vistas, great pains, and create something entirely new to sit alongside these old, old log books and ship’s diaries, something which the public can enjoy until March, when winter is getting woolly, and the exhibition ends.
I am still working out what it is I want to do with my time at the library, but rest assured of the following:
– I will have my own cabinet in the exhibition, to fill with whatever I like;
– There were plenty of ideas that did not make it into The Black Crown Project, my last piece, which are due a stiff pint of sea breeze;
– I’ve stockpiled an awful lot of ship’s Twine for the task;
– You do not have to be with me aboard the British Library to participate, but I have been told that I make a charming mate in person.
There will be more details here and elsewhere when the charts have been finalised, the hull caulked, and we are ready to set sail. Once all this is in place, we’ll be heading out from Port St. Pancras, north and west, following the stars until the bend in the earth sunders them. We’ll be seeing what we can find in the lines in the ice. The British Library is an odd vessel to charter, shaped more like two steamer ships pulling perpendicular, and it has particular dearth of masts. Still, if you are interested, do come and join my crew.. The galley does a cracking doorstep sandwich.
And if you won’t be coming to join me, don’t cry, don’t send out search parties, and put the kettle on. I’ll only be months.